“In the first pass, we have a body double stand in. And the camera - it’s this awesome thing called a Technodolly - will memorize all the movements in the scene and repeat them automatically every time we reshoot with me as a different character. Then we take the double out, and when I shoot, there’s a tennis ball, an X taped on the wall, or a dot where my clones are standing, and I have to remember where they move throughout the scene. I also have an earwig in my ear that plays recordings of my other characters’ lines. So I’m basically talking to the air the whole time.” - Tatiana Maslany (on playing multiple clones in one scene)
(via trashyfiction)
(via rheagars)
(via gingerfeminist)
There are times when I relate to Donna on a spiritual level.
(via nasty-little-hobbitses)
There’s currently a shorts prohibition for staff working on the Roslag Railway in Sweden. Some men took to wearing skirts in the heat. (x)
I love the fact that the company they work for is totally on board with them doing this.
“According to our line of thinking, you should look stylish and neat when you represent Arriva, and these are the uniforms available. If the men want to wear skirts that’s okay. Telling them anything else would be discrimination.”
fuck yeah, sweden
(via trashyfiction)
You know, it’s not very often you’re standing there in next to nothing, with a leather whip in your hand, having a go at Benedict Cumberbatch - Laura Pulver
‘…having a go at Benedict Cumberbatch.’
(via trashyfiction)
(via trashyfiction)
Well, if it ain’t my little buddy Beni.
(via cummmberbatch)